大岩オスカール Oscar Oiwa
Let´s Go on a Trip!
Quarantine Drawing Series

Now that we are in the midst of a pandemic that is common throughout the world, what is the mission of artists, galleries, and production studios?
Oscar Oiwa holds his first solo exhibition at Gallery Nomart & publishes a new print series.


The first solo exhibition at Nomart and & Publication for New prints series in 2021

The whole world is hit by COVID-19 in 2020
Since all the projects and exhibitions are postponed, Oscar Oiwa was isolated in his apartment located in Manhattam, thinking about what he could do in this situation.
“I’m blessed by god to be born with the capacity of turning my feelings into artworks“
During the secluding life,《Quarantine Drawing Series》, which includes 20 pieces of drawings describing a imaginary trip, was composed between March and June, 2020.

A series of prints to share the artist's imaginary trip with the whole world
Hayashi Satoshi, the director of Gallery Nomart, who built a relationship with Oscar Oiwa, soon decided to publish these drawings as prints.
Even though《Quarantine Drawing Series》is a digital work because it was drew on computer, the reason that we decided to print it is hoping Oiwa’ s imaginary trip would be a way of sharing with people around the world.

The first solo exhibition at Nomat will be an exhibition of new prints and tableau
Born in São Paulo and moving to Tokyo and New York, Oiwa continues his creative activities, and has likened his own life to a journey. His works, including social satire and narrative born from multiple cultural perspectives, have received a great deal of worldwide attention.In addition to this series, we are planning to exhibit Olympic-themed tableau works at this exhibition.

Please take this opportunity to take a look at the many works drawn by Oiwa's free imagination.
>> Exhibition details


Print studio The scenes of making process in Nomart Edition Studio





Artwork overview

Size: 57 × 76.5 cm
Technique: silkscreen on BFK Reves (one prints in one color, use Matte ink with high concentration)
Edition: 15
Quantity: For one-piece purchasing: 7 sheets (each 20 works) are available
     For set-purchasing: 8 sets are available(20 pieces included.)
Price: one piece 88000yen~ (Include tax.)
   set: 1408000yen (Include tax.) [placing into a special box with exhibition brochure]



Quarantine Drawing Series

Let's Go on a Trip!

Suddenly, life has changed. I have stopped taking the subway, going to my studio, walking around the city, seeing movies at the theater, and meeting up with my friends. I spend my days in quarantine, going outside only to shop for food or to get a little fresh air.

Projects and trips have all been postponed. The city has become the new epicenter of the pandemic and life has been made more difficult for all of its inhabitants. Many people have lost their jobs and are getting desperate about paying bills. News from the world outside is far from encouraging. Entire countries have closed their borders. The US presidential response in itself has been a disaster.

I think about what I can do to remain as mentally creative as usual while stuck in my Manhattan apartment. God gave me the gift of transforming feelings into visual art. And using this power, I have started to make a new series of drawings: an imaginary trip in the midst of life under quarantine. The result is like a diary of insights about my past, my present daily life, and the future. (Spring 2020)

Oscar Oiwa

Part of 20 works are introduced below!

Yangpu District, Shanghai
My plan was to visit Shanghai in the middle of March. I am just now finishing a big public art installation in a new riverside park at Huangpu River. The coronavirus outbreak spread quickly from Wuhan to the rest of the country and unfortunately I was forced to cancel my trip. (9.3.2020)

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Central Park, New York
It’s a Saturday with nice spring weather but I don’t see any tourists, street vendors or horse carriages. Within the silence, the only thing I see moving around the trees is the wind. (30.3.2020)

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View From My Window, New York
During the quarantine, people spend a lot of time on the computer. They share things on social media like small home concerts, cooking skills, and views through the window. My window is like a giant movie screen: from here I can see so many things happening because this is a city with a high density of villains and superheroes. Tonight's attraction is a classic science fiction B movie, an epic battle of Codzila vs. Trumtopus! (28.4.2020)

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Back in My Studio
The number of people on the sidewalks of NYC has visibly increased. The streets have become noisier. Shops have started to reopen. The “curve” is looking better and hospitals are quietly awaiting a second wave. Overall, the situation is still far from safe, but I've decided to move forward and “reopen my business” as well, heading back to my studio activities after 11 weeks in quarantine. This spring was a months-long time stop, but I am happy that it was possible to survive this period without big losses. However it is clear that society has become more tense with this record unemployment rate: it feels to me that any small spark has the potential to cause chaos. I can’t predict the future, but I believe the second wave will be a social crisis. The reason could be racial issues, right-wing movements, government corruption, or any of the myriad of other issues that have already been escalating in recent times. The near future is not so bright, but I hope that this is temporary and better days will come soon. (29.5.2020)

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Re-Opening
The outbreak started in a Wuhan wholesale food market in early December of 2019. Half a year later over 7 million people have been infected and over 400 thousand have died. What impressive and alarming statistics! Now, laboratories worldwide are racing against the clock to develop the right vaccine. In this drawing, each mysterious animal swimming in the deep sea represents a country (China, the USA, Brazil, Russia, the UK, Spain, Italy, France, India and Japan); the central light represents the vaccine to come. At the same time, the animals appear to be ghosts wandering across the universe and looking inward at a small planet called Earth. It has come time for me to resume my normal life, or whatever version of it is now available. And so I will end this quarantine drawing series here. 
This series is dedicated to all the medical staff who have worked or are continuing to work on the front lines. Thank you! (9.6.2020)

>> Click here to see the whole series!



Artist biography

Artist biography
1965 Born in Sāo Paulo, Brazil
1989 Graduated from School of Architecture and Urbanism, Universityof São Paulo

Selected Solo Exhibitions
2020 “The Dreams of a Sleeping World”, USC Pacific Asia Museum, Pasadena
2019 -Transphère#6 “Oscar Oiwa-Rio, Tokyo, Paris des villes, des Jeux”, Maison de la culture du Japon à Paris, Paris
   “Journey to the Light”, 21st Century Museum of Contemporary Art, Kanazawa, Ishikawa
   “Black and Light”, Cadillac House, New York
2018 “Oscar Oiwa in Paradise-Drawing the Ephemeral”, Japan House, São Paulo
2012 “Traveling Light”, Keumsan Gallery, Seoul / Shibuya Hikarie CUBE/ Art Front Gallery, Tokyo
2011 “After Midnight”, Thomas Cohn Gallery, São Paulo
    “Oscar Oiwa”, National Art Museum, Rio de Janeiro
2009 ”Asian Kitchen”, BTAP, Beijing
2008 “The Dreams of a Sleeping World”, Museum of Contemporary Art Tokyo / Fukushima Prefectural Museum of Art, Fukushima
    / Takamatsu City Museum of Art, Kagawa (-2009))
2006 “Invisible Reflex”, Ikeda Museum of 20th Century Art, Shizuoka
   “Gardening with Oscar Oiwa”, Arizona State University Art Museum, Arizona

Selected Group Exhibitions
2019 Shanghai Urban Space Arts Season (SUSAS), Shanghai
    Setouchi Triennale 2019, Ogijima / Shamijima, Kagawa (also in 2010, 2013, 2016)
2017 “Transpacific Borderlands”, Japanese American National Museum, Los Angeles, CA
2014 “Le Printemps de Haute Corrèze”, Abbaye Saint André-Centre d’art contemporain Meymac, France
    “Land of Sunlight –Oscar Oiwa and Japanese-Brazilian Artists”, Gunma Museum of Art, Tatebayashi
2009 “Sacred Monsters”, Tufts University Art Gallery, Massachusetts
2003 “Travelling: Towards the Border”, The National Museum of Modern Art, Tokyo
2002 “Here is the Museum”, Shizuoka Prefectural Museum of Art, Shizuoka
1996 The 4th Yokohama Biannual, Kanagawa
1995 “The Vision of Contemporary Art”, The Ueno Royal Museum, Tokyo
1993 “Brazilian Art Today”, Fujita Vente Museum, Tokyo
1991 “The 21st International Biennial of São Paulo”, Ibirapuera Park, São Paulo

Award
1995 Encouragement Prize, The Vision of Contemporary Art (VOCA)'95, The Ueno Royal Museum, Tokyo
    Artist in Residence Award, The Delfina Studio Trust, London, UK
1996 Grand Prize and Sakae Warrd Residents Prize, The 4th Yokohama Biennale, Kanagawa
1997 Received grant from The Pollock-Krasner Foundation, New York, USA
2001 Received grant from Asian Cultural Council, Tokyo / New York, USA
    Received Guggenheim Fellowships, New York, USA
2019 Medal with Dark Blue Ribbon

Public Colection
Toyota municipal museum of art, Aichi / The National Museum of Modern Art, Tokyo / Hiroshima City Museum of Contemporary Art /
Museum of Contemporary Art Tokyo / Utsunomiya Museum of Art / Tokyo Station Gallery / Ikeda Museum of 20th Century Art, Shizuoka /
Mori Art Museum, Tokyo / Hyogo Prefectural Museum of Art / Takamatsu Art Museum, Kagawa / Fukushima Prefectural Museum of Art /
Niigata City Art Museum / Yokohama Museum Of Art, Kanagawa / 21st Century Museum of Contemporary Art, Kanazawa, Ishikawa /
Gunma Museum of Art, Tatebayashi / Arizona State University Art Museum, USA / The Montreux Jazz Artists Foundation, Switzerland /
Phoenix Art Museum, USA / University of São Paulo Museum of Contemporary Art, Brazil